I won’t go into a lot of detail in regard to painting, but I’ll post some photos of the various sections of the carving showing the painting.
I use latex acrylic paints that you can buy at any store that sells art related items. I probably have something like thirty or forty small bottles of a variety of colours and spend some amount of time mixing various colours together to get the tone that I’m looking to achieve for a particular part of the carving.
In general, I try my best to apply “washes”, or very thin coats of paint. Too thick an application, like directly from the container, would hide all of the detail work that you carve and certainly obliterate the wood burning. A good example in this carving is the blue jeans that the little gal is wearing. You’ll notice that the several wash coats that I applied provided ample colour but never was thick enough to hide the stitching that I had burned with the wood burning tool.
Where there are wrinkles in clothing, I add a bit of a darker tone in the valleys of the folds and wrinkles to provide a darker contrast. This makes the carving look more realistic ( take a look at the folds in your own clothing and you’ll see the darker tones ) and it also makes the wrinkles and folds look deeper. I follow Lynn Doughty’s advice and keep away from using black to darken colours…I always use a darker tone of the same colour and avoid greying-out that colour with black.
An additional of a small amount of white to shoulders, elbows and knees make things look nicely worn. In this case, I wanted her clothes to look pretty crisp so I just added the whitening to the jeans wherever you’d expect her designer jeans to be worn! Once everything is painted, I added some light dusting / dry brushing using a beige to add another dimension to the painting. A light, clear, satin urethane was used as a final finish.
Just click on the photos, below, to expand them.
So, she’s complete! It was a fun carving project and I appreciate you following along with me.