tributesinwood

Wood Carvings by Mark Sheridan

Archive for the tag “carved horse”

Positioning the Rider

Now I was at the point that I needed to start making some decisions as to the positioning for the body of the girl rider. I wanted to get as much motion in this carving as possible, so I went with a body position that you would see in a rodeo rider on a bucking bronco!

I found some body proportions measurements for a young girl off of the web and put together a copper wire wound skeleton that I could build a clay model around. I soldered the hip and shoulder connections so that it would be nice and strong and allow me to bend things around to my liking without the worry of something breaking or not holding its shape.

Adding clay and building up the body outline is done a “pinch” at a time. With a bit of practice, you’ll find that you can build the body outline, position it and bend it around to its best position within an hour. Following that, a couple of quick photos front and side, sizing on the printer and printing out a template to transfer to basswood…and you’re ready for the bandsaw. The last photo, below, was taken after I spent a few minutes very roughly shaping the square-ish cutout from the bandsaw.

As I began trimming down the girl’s outfit to a denim overalls look, I started to worry a bit about the strength of the carving. In particular, I wanted her standing and leaning way back on the stirrups and off of the saddle…and there was no way that I was going to make the stirrups rigid enough and rigidly attached enough to her feet and to the horse for that to work. What I arrived at was the need to have her bottom off of the saddle but attached to something. So, I stole an idea from Lynn Doughty’s caricature horses ( thanks Lynn ) and added a rolled up blanket which would be just large enough for her bottom to rest on. The bottom of the blanket roll fits the contour of the horse’s back and the back of the saddle nice and tightly so that I can be sure that I’ll have a good glue joint.

Now for the stirrups and the positioning of the somewhat carved body. I’ll start by saying that I’ll not make the stirrups in two pieces ever again. I had it in my mind that I’d need to articulate the stirrup and the stirrup leather to fit the position of the legs. After too much work in making the separate parts, drilling the stirrup for a nail “hinge” and then gluing everything together…I realized that I would have been just as well off by making the two pieces in one straight piece. I did enjoy carving the stirrup leather, though, as it had an interested half twist to transition from the saddle to the stirrup. When the girl’s feet are glued to the now solid stirrups and her bottom is glued to the blanket…things should be pretty strong.

A bit of painting with acrylics followed by a satin urethane finish and we’re ready to add the final detail to the girl’s body! Slow but sure…stay with me!

Advertisement

Painting the Pony and Base

I decided to paint the base in a way that it looks like it’s been around for a lot of years and has seen its share of use.

The wooden base started off with several thin, wash coats of ‘red barn’ which gives it a nice reddish-brown look. I hand painted the lettering with a fine brush and tried to keep the paint a bit translucent to make it look like the letters were fading. Later, I added small dry-brush scuffs of ‘burnt sienna’ and ‘raw sienna’ to show some dirt and wear everywhere on the box, including over top of the lettering. I mixed up a light beige colour using white, brown and a tiny bit of yellow and dry brushed some broader areas to make it look like the paint had worn down completely to the wooden structure.

For the two cylinders that support the horse, I painted them black with a few dry brush marks of ‘burnt sienna’ and then added some touches of silver to make it look like bare metal beneath. I added some aluminum metal tape with an adhesive backing to the bottom hinged cylinder ( simulated hinged! ) and then coated the two cylinders in a light wash of ‘Payne’s grey.’ This grey colour when put on lightly really makes things look like the real McCoy, especially when applied over the metal tape.

The coin return was painted a dark grey, scuffed up with some ‘burnt sienna’ and dabbed with a few spots of silver. Once again, a very light coat of ‘Payne’s grey’ was used over everything.

All of the above got a coat of satin finish urethane. I still use the method that Lynn Doughty has demonstrated and wipe the urethane off before it dries with a single ply kitchen wipe. This gives the urethane a nice dull look rather than too shiny an appearance. The trick is to find a lower quality paper towel that isn’t too “fluffy” as all of that extra fluff that you pay for in a softer towel will come off on the drying urethane and make a mess.

The pony was painted predominantly with ‘raw sienna’ and I lightened and darkened it with browns and yellows. I used washes throughout this process to build light coats on top of dark coats. The effect lightened the pony’s coat on the top and darkened it toward the bottom and in recesses beneath the head, legs, etc. I added a bit of off white for markings and just above the hooves and for the teeth. Again, I showed a number of worn areas by dry brushing “scuffs”of beige here and there. The mane and tail are black with some dark grey highlights. Some final dry brushing with a light beige finished it up. Once dry, I added some satin finish urethane but did not wipe it off this time so that it would have more of a shiny finish as you’d expect from a riding horse.

And, here’s how it’s turning out so far…

Post Navigation

%d bloggers like this: